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S/FJ
photographs enthusiasms essays speculation interviews conjecture
By Sasha Frere-Jones
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Monday January 23 2023
UK garage, Janet Malcolm, the 2022 playlist, worst diner in the U.S., and more
Sasha Frere-Jones
Jan 23
16
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Monday January 23 2023
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Wednesday January 11 2023
I’ve been crabby as hell but the following sequence of music has lifted me towards agreeableness. Mohi Bahauddin Dagar’s Ahir Bhairav is his version of…
Sasha Frere-Jones
Jan 11
16
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Wednesday January 11 2023
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Monday December 26 2022
This is our annual reflection post, and by annual I mean that we have done it twice before: in 2021 and 2020. The idea remains constant: talk about the…
Sasha Frere-Jones
Dec 26, 2022
33
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Monday December 26 2022
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Tuesday December 20 2022
2022 in music, part two
Sasha Frere-Jones
Dec 20, 2022
27
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Tuesday December 20 2022
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Monday December 19 2022
2022 in music, part one
Sasha Frere-Jones
Dec 19, 2022
28
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Monday December 19 2022
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Monday December 5 2022
You probably know that the new Number One film in the once-a-decade Sight and Sound poll is Chantal Akerman’s Jeanne Dielman, 23 Quai du Commerce, 1080…
Sasha Frere-Jones
Dec 5, 2022
15
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Monday December 5 2022
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Monday November 21 2022
So much yak and so much anxiety around where we should yak. With all this agitation afoot, it’s good to know that there is a spreadsheet of every single…
Sasha Frere-Jones
Nov 21, 2022
13
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Monday November 21 2022
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Monday November 14 2022
I spent two years talking to people (108 of them) in order to write this essay on loudspeakers and how we listen to music for Harper’s Magazine. Enjoy…
Sasha Frere-Jones
Nov 14, 2022
17
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Monday November 14 2022
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